Ento enni cinemalu vachina andulo lead actress roles matram eppudu cliche ga untai. Pedda pedda writers, anthakante pedda film makers kuda lead actress roles ni oka chakram lo irikinchi stereotype chesi continuous ga tipputune untaru. Em cheddam mari ee duniya lo ganthe.
Over the years, particular ga heroine characters ni stereotype chesi chesi doosukupothunna cinema duniya lo kondare heroines glamour, exposing limitations daatukoni acting & vaaru chese characters tho audience hrudayalani geluchukuntaru. Aa rojullo entho mandi actress starting vipareetamaina glamour paatralu chesina, taruvatha vachina manchi pathralatho valla acting caliber ento nirupinchukoni tirugu leni actress ga nilicharu. Ikkada nenu exposing, glamour characters cheyyadam tappu ani cheppadam naa uddesam kaadu, directors & writers ave raastunte vaaru matram avi emi cheyyakunda pani maanukoni intlo kurchovaala, glamour & exposing is also a part of acting especially for a heroine.
But asalu glamour, exposing ilanti ey cliches bandikaana lo irrukokunda, stereotype roles ki dhooram ga untu ye actress career ayna mundhuki velle possibility unda? Konni years mundhu aithe ‘No’ ani cheppevaadini answer, but ippudu matram ‘Yes, its possible’ ani chepta. Yendukante Sai Pallavi ane actress valla.
Sai Pallavi career is just breathtaking, inka cheppali ante its revolutionary. Heroines ki entha acting capability unna mana filmmakers atu tippi itu tippi cliches lo irikinchestaru, but Sai Pallavi aa heroine characters stereotyping ni daggara ga kuda raanivvaledu. From start of her career till now, every character she did has offered something.
Malar nunchi Rosey varaku, Sai Pallavi thanu chesina best characters & our love towards them
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MALAR – Premam
Seethakoka Chilaka. Prathi magadi jeevitham lo padilam ga okka prema alane untadi. Adi eppatiki daggara kaadu ala ani gunde nunchi baitaki podu enni yellu aina. Alanti prema ki rupame Malar. Jeevitham rangulu teesukostundi prema tho alane jeevithapu canvas ni cheekati mayam chestundi ade prema, rangulu aina cheekati aina mundhuki yeguruthu undatame jeevitham.
Thank you Alphonse Puthren, Sai Pallavi ni six years ga vetadi, ventadi oppinchi ee character chepinchinanduku, nuvvu gaani pattubattakapothe Sai Pallavi actress ayyede kadu
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ANJALI – Kali
When there is something wrong in a relationship, you both sort it out. Everyone has their own issues, the way their partner helps them to overcome those issues is the place where love blooms. Ee world lo evaru perfect kaadu, konni konni sarlu debba kotti cheppali, mari konni sarlu maatalatho ardam ayye laa cheppali, mari konni sarlu mounam tho avoid chesi cheppali. Anjali chesindi ade.
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BHANUMATHI – Fidaa
Ammayi ante ila undali raa ani anipinche laa untundi Bhanumathi. Shekar Kammula ki oka rakam ga Sai Pallavi muse ga thayaraindi. Thanu kosame thana lopala inni years ga daagunna characters ki pranam postunnadu. Bhanumathi is love, Bhanumathi is funny, Bhanumathi is alaka, Bhanumathi is kopam, Bhanumathi is independent, Bhanumathi is Bhanumathi. Actually Bhanumathi ki ‘Thaggede Le’ dialogue perfect ga set avuthundi
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SUMATHI – Paava Kadhaigal
One of the most underrated performances of Sai Pallavi. Heartbreaking performance.
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MOUNICA – Love Story
The best character of Sai Pallavi so far. Theatre ki kevalam Sai Pallavi kosame vacharu, yes idi nijam. Theatres lo thanu dance chestunte, each and everyone is in some kind of trance and joy. Ee character lo ni vulnerability ni Sai Pallavi chesina vidanam ki hatsoff. Literally we can feel what mounica is feeling in our bones.
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MAITHREYI/ROSEY – Shyam Singha Roy
Inka latest ga vachina Shyam Singha Roy. Em cheptam cheppandi aa second half lo Sai Pallavi & Nani perform chestunte entha haayiga undindo telusa. Devadaasi ga prema ni thana lo ki thanu teesukune vidanam, prema iche dairyam, prema kosam poratam anni Maithreyi/Rosey lo kanapaduthai.
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VENNELA – Virata Parvam
Ika Virata Parvam Lo Vennela Role Gurincihi Osthe – Vennela Is The Soul Of The Movie, Vennela Is A Hero, Vennela Is A Revolution. Vennela kakunda ee role lo inko heroine ni oohinchukolemu anela aa character ni own chesukoni perform chesindi. Virata Parvam lo oka scene lo police vadithe fight scene lo tana intense acting, inko scene lo police vallu Sai Pallavi ni check cheyalsi occhinappudu ocche scene ika pre-climax and climax portions lo tana performance chusaka She Deserve All Awards and Even National Award ani oka baruvekkina hrudayam tho meere cheptharu.
Mainstream cinema lo undali ante heroines skin show cheyali, konchem expose cheyali, liplock scenes ki ok cheppali lanti stereotypes ni break cheyadame kakunda just avi anna cheyakunda just performance chesthe chalu janalu heroines ni ‘Lady Power Star’ ani piliche la chestharu ani prove chesindi Sai Pallavi.
More Power To You Girl & We Expect More From You Dear Sai Pallavi.
Last but not least.. You are the butterfly in this chaos of cliches and stereotypes in cinema regarding lead actress roles. Kudos to the directors, for creating characters that depicts women as women not as some object like many other filmmakers interested in doing so. And Sai Pallavi garu, you are damn inspiring to so many people out there & I hope you know it.
